Oh, the
nostalgia... I too have a dad who taught me how to draw. Well, he didn't
actually "teach" me, but rather helped me discover that I happen to
have a flexible wrist when it comes to putting pencil to paper. When I was 4,
he drew a horse on a napkin and asked me to look at it and draw one myself.
Other than horses, I could copy all the animals he drew almost perfectly, but
whenever it came to horses, as soon as I made a mistake, my dad would take the
piece of paper from under my fingers, crumble it, throw it away, put a fresh
piece of paper in front of me and exclaim "again!". It was so much
fun, that I remember making some mistakes deliberately.
My
father is far from being a shy man... but if I ever were to draw erotic
pictures and he'd find them, I'd be in for an ass whooping, I'm telling you
that much - and I'm in my 20's, mind you!
Quick
overview of Keiichi Hara’s Miss Hokusai...
The
relationship between O-Ei and her father, Master Hokusai: two halves of the
same brain; the relationship between O-Ei and her blind younger sister, Onao:
two halves of the same heart; the relationship between O-Ei and the rest of the
world: two halves of the same spirit - really, the entire movie is so
heart-clenchingly well balanced, it's just.... AAaaagh! *!I want to be Japanese!*
It's
funny, because as I was watching the movie come to an end, it dawned on me: the
dynamics are SO good, that you can't tell if there are a lot of things
happening while leaving the impression that nothing is happening at all OR that
nothing is happening while leaving the impression that too many things are
happening at once!
I don't
want to spoil too much, but fuck it, I actually do: the entire movie is a
canvas of realism. Here and there though, you have instances of fantasy, but
these instances come in perfect amount and are SO well elaborated, that they
don't bother at all, but the contrary - they enforce the realism and
authenticity of everything that's happening and yes, if this sounds familiar to
what Hayao Miyazaki is doing in his movies, I'll have you know that he uses the
exact same technique, but the other way around (canvas of fantasy with
instances of realism to make the fantasy stronger. get it? No? That's okay, I
sometimes can't understand the way my head works either.)
It's an
absolutely beautiful movie, and don't let the erotic picture-painting session I
mentioned at the beginning of this Slash fool you: it's a kid-safe
movie. If you're an open-minded parent, that is. I actually find it kind of
funny that master Hokusai finds his daughter's erotic paintings and says that
she needs more "experience in the field" to draw them more
realistically. What the hell, man?! When I was 16, my dad said that I'll be
damned if I won't remain a virgin until I'm 30! God bless the Edo period, I
guess...
I love
the simplicity of the animation style, really, creators, it's a home run -
nothing braids realism as well as good 'ol 2D, eh?! If the animation would have
contained some multi-dimensional visuals like AOT or Ajin, I'm quite certain I wouldn’t
have taken it as seriously. And *Yoda voice* take it seriously I did! I almost
cried. I ALMOST cried and, so you know, there is not one melodramatic moment in
the entire movie.
SPOILER
ALERT: when Onao died, my heart ached as if she were MY little sister. I have
no little siblings, mind you, I'm the youngest one of my sisters, but DAMN!
Onao, you shall be missed... *sob*.